Preserve it as it is
Have it typed into a clean, readable document for the family — not for submission or publication, just so it can be read, shared, and kept without relying on deciphering the original handwriting forever.
Inherited manuscripts
A box in the loft, a drawer in a bureau, a stack of exercise books tied with string. This is some of the most rewarding work I do, and one of the most common questions I'm asked. Here's a straightforward run-through of what to check first, and what your realistic options actually are.
Manuscripts left behind fall into a few common shapes, and it's worth identifying which one you're dealing with before you decide anything.
What you have changes what's realistic to do with it. A finished novel can be typed and shared, submitted, or self-published. Fragments are better suited to being typed up and kept as an archive for the family, rather than shaped into something they were never meant to be.
Owning the physical pages and owning the right to publish what's written on them are two different things. Copyright in an unpublished work belongs to whoever wrote it, and passes on as part of their estate — usually to whoever inherited their property, but not always the same person who happens to be holding the manuscript.
If you're planning to publish, even quietly through a self-publishing platform, it's worth being sure who holds that right, particularly if there are other family members who might have a claim or an opinion. If you're simply preserving it for the family, this matters much less — you can go ahead without needing anyone's permission.
Have it typed into a clean, readable document for the family — not for submission or publication, just so it can be read, shared, and kept without relying on deciphering the original handwriting forever.
If it's a finished, complete work and the family wants to see it published, it can be typed and formatted for literary agents in the usual way — treated exactly like any other manuscript.
A typed, properly formatted document is also what you'd need for a small private print run — copies for the family rather than a bookshop.
I type inherited manuscripts often — old hands, faded ink, notebooks that have clearly sat in a drawer for decades. It's ordinary work here, and I treat it with the care these particular projects deserve. Anything I genuinely can't read is marked clearly rather than guessed at, which matters more than usual when the person who wrote it isn't there to ask.
I type and prepare the manuscript exactly as written. I don't research the family history behind it, fill gaps, or make editorial decisions about what belongs in the final document — those choices are yours to make.
Tell me a little about the manuscript and I'll tell you honestly what's involved and what it would cost.