M The Manuscript Desk

Manuscript typing & preparation

Your handwritten manuscript, typed and ready to send.

You wrote it by hand. Agents and publishers only accept typed files. I type handwritten novels, memoirs and life stories into a clean, properly formatted Word document — every page done personally, in Sussex.

Your manuscript exists. It just isn't typed.

Perhaps you have always written longhand and see no reason to stop. Perhaps arthritis or failing sight has made a keyboard difficult. Perhaps the manuscript isn't yours at all — a parent's memoir, a grandfather's war diary, a novel found in a drawer after a death.

Whatever the reason, the problem is the same: almost every literary agent and publisher will only look at an electronic file. Self-publishing platforms need one too. Until it's typed, nobody can read it but you.

That is the whole of what I do. You send the pages. I send back a manuscript.

Why me and not a typing bureau

Three things most typists can't offer

I can read difficult hands

I'm a trained palaeographer — I transcribe seventeenth-century wills for a living. Faded ink, crossings-out, a shaky late hand, marginal insertions and pages written in pencil forty years ago are all ordinary work here.

Where a passage genuinely can't be read, I mark it and tell you, rather than guessing and hoping you won't notice.

I know what a manuscript should look like

I write novels myself. I know standard manuscript format, how chapters break, how dialogue is set, what an agent expects to open.

You get a document that reads as a book, not as text poured into a blank page.

Confidentiality is my day job

Sixteen years transcribing for law firms across the UK and Ireland. Discretion isn't a promise on a website — it's the discipline I've worked under every day since 2009.

Nothing is subcontracted. Nothing is sent offshore. I sign a confidentiality agreement before I start.

What I type

Books, and only books

This is not a general typing service. I don't do invoices, minutes, dissertations or reports. I type manuscripts — whole books, by the people who wrote them.

  • Novels and short story collections — including drafts written across notebooks, loose sheets and the backs of envelopes.
  • Memoirs and life stories — the most common thing on this desk, and often the most rewarding.
  • Inherited manuscripts — a book left unfinished or unpublished by someone who has died, typed so it can be read, kept, or finished.
  • Poetry collections — where line breaks and spacing matter and must be preserved exactly.
  • Old typescripts — a book typed on a typewriter years ago, retyped into a file you can actually work with.
  • Dictated books — if you'd rather speak your book than write it out.

Before you commit

The first thousand words are free

Handing over a manuscript is not a small thing, particularly if it's the only copy or it belonged to someone you loved. You shouldn't have to take a stranger's word for the quality of their work.

So send me a few pages and I'll type the first thousand words and send them back at no charge, with no obligation whatsoever. If you like what you see, we go on. If you don't, you've lost nothing.

What it costs

Priced per thousand words, so you know roughly what you're looking at before you get in touch. A typical eighty-thousand-word novel in clear handwriting comes to around £1,200.

Clear, modern handwriting £15 / 1,000 words

Legible, consistent, written in ink on ordinary paper.

Difficult handwriting £20–25 / 1,000 words

Cramped, hurried or shaky hands, heavy crossings-out, pencil, or an older manuscript written decades ago.

Retyping an old typescript £12 / 1,000 words

A book typed on a typewriter, or a carbon copy, turned back into an editable file.

Send me your pages

Tell me roughly how long it is and what sort of state it's in, and I'll come back with a quote. Photographs from a phone are perfectly good enough to start with — the manuscript itself stays with you.